Music for…
theatre

Un coin de feuille avec une décoration orange et une pièce en arrière-plan.
Un coin de feuille avec une décoration orange et une pièce en arrière-plan.

Que notre joie demeure

The Camelia
The Roadtrip

Adapted from Kev Lambert's Médicis Prize-winning novel, the story of a celebrated architect's fall from grace when a scandal exposes the contradictions between her values and her ambitions.

Narration : Anne Dorval.

Musicians : Pierre-Alain Bouvrette, Corinne René, Stéphanie Pothier.

▸ Text : Maxime Carbonneau et Laurence Dauphinais, d’après le roman de Kev Lambert.

Direction : Maxime Carbonneau et Laurence Dauphinais

Production: La Messe Basse, Théâtre du Nouveau Monde, mars 2026.

Photo: Jean-François Gratton.

Corps Fantômes

Die in + Le lac + Édouard
Kiss in

A collective documentary play revisiting the forgotten history of Montreal's LGBTQ+ community in the early 1990s, facing AIDS, police violence and hate crimes — and rising up together.

Text : F. É. Bernier, D. Boudreault, M. Carbonneau, S. David, C. Fortin, C. Gouin-Arsenault, J. Lafortune et M. Pineault.

Direction : Maxime Carbonneau.

Production : La Messe Basse + Théâtre Duceppe, octobre 2025.

Photo : Danny Taillon.

Aukkauti

Good Spirit vs. Bad Spirit
The Prayer

A play performed entirely in Inuktitut, based on a true and foundational story passed down orally for generations in Nunavik, about a cycle of tragedy that left a lasting mark on the region's communities.

Musician.s : Akinisie Sivuarapik, Daniel Gadbois.

Text : A. Kalingo, L. Koperqualuk, D. Gadbois.

Mise en scène : Myriam Fugère, Akinisie Sivuarapik et Lisa Koperqualuk.

Production : Aaqsiiq + Snowfest de Puvirnituq, mars 2025, en tournée au Nunavik en 2026.

Photo : Gérald McKenzie.

Tout ça

Tout ça - Prologue

A solo performance tracing an entire woman's life from birth to death through language itself, each word becoming a breath, a memory, an existence.

Text : Alistair McDowall.

Direction : Louis-Karl Tremblay.

Production : Motto + Théâtre du Quat'Sous, novembre 2024.

Photo : Frédérique Ménard-Aubin.

Peau d’âne

The Theme of Dunkey Skin
The Unlikely Ballet

A reimagining of the classic fairy tale in which a princess flees her father's incestuous desire and finds her way to love and freedom.

Musicians : Adèle Levayer (flute), Éveline Grégoire-Rousseau (harp), Corinne René (vibraphone).

Text : Félix-Antoine Boutin et Sophie Cadieux.

Direction : Félix-Antoine Boutin.

Production : Création dans la chambre + Théâtre Denise-Pelletier, Octobere 2024.

Photo : Victor Diaz Lamich.

La machine de Turing

The Machine : Ouverture
Enigma + The Lovers

The true story of Alan Turing, the mathematician who cracked the Nazi Enigma code and was later persecuted by his own government for his homosexuality.

Text : Benoit Solès.

Direction : Sébastien David.

Production : Agents Doubles + Théâtre du Rideau Vert, January 2024.

Photo : François Laplante Delagrave.

Je t’écris au milieu d’un bel orage

Theme +
A las cinco de la tarde

A play inspired by the real correspondence between Albert Camus and actress Maria Casarès, a decades-long love story told through letters.

Musicians : Jean-François Normand (clarinette), Corinne René (vibraphone).

Text : Dany Boudreault, d'après Correspondance (1944-1959) par A. Camus et M. Casarès.

Direction : Maxime Carbonneau.

Production : La Messe Basse + Théâtre du Nouveau Monde, January 2023.

Photo : TNM.

Le roi danse

Le bourgeois gentilhomme
Molière's Passing

A theatrical exploration of the life of Jean-Baptiste Lully, composer to Louis XIV, through the lens of dance, power and ambition at the French court.

Music: Jean-Baptiste Lully.

Musicians: Susie Napper (viola da gamba), Corinne René (percussion).

Text: Emmanuelle Jimenez.

Directed by: Michel-Maxime Legault.

Production:Théâtre Denise-Pelletier, 2023.

Photo: Dany Taillon.

Best Life

Welcome to the Neighbourhood

An immersive performance exploring our emotional attachments to domestic machines and the objects that will outlast us on earth.

Text and performance : Maiko Yamamoto.

Production : Theatre Replacement (Vancouver), novembre 2022.

Photo : Chelsey Stuyt.

The Assembly / L’assemblée

The Debate
Finale

A verbatim documentary play exploring political polarization through the real words of four citizens with wildly opposing views.

Text : A. Ivanovici, A. Soutar et B. Watson.

Direction : Chris Abraham.

Production : Porte Parole + Espace GO / repris en Allemagne, aux É-U, en Lituanie entre autres, 2018-25.

Photo : François Laplante Delagrave.

Coriolanus

Ouverture
Aufidius

A production of Shakespeare's classic tragedy that brings the play into the present through an ambitious audiovisual design combining live performance, film and projection.

Text : William Shakespeare.

Direction : Robert Lepage.

Production : Ex Machina + Stratford Festival, juin 2018.

Photo : Clay Stang.

Quills

Madeleine and Satan
Charenton's Asylum

A play imagining the final years of the Marquis de Sade imprisoned in an asylum, fighting to keep writing against all censorship.

▸ Text : Doug Wright, translated by Jean-Pierre Cloutier.

Direction : Robert Lepage and Jean-Pierre Cloutier.

Production : Ex Machina + Trident, janvier 2016.

Photo : Stéphane Bourgeois.

Que notre joie demeure

The Camelia

Adapted from Kev Lambert's Médicis Prize-winning novel, the story of a celebrated architect's fall from grace when a scandal exposes the contradictions between her values and her ambitions.

Narration : Anne Dorval.

Musicians : Pierre-Alain Bouvrette, Corinne René, Stéphanie Pothier.

Text : Maxime Carbonneau et Laurence Dauphinais, d’après le roman de Kev Lambert.

Direction : Maxime Carbonneau et Laurence Dauphinais

Production: La Messe Basse, Théâtre du Nouveau Monde, mars 2026.

Photo: Jean-François Gratton.

The Roadtrip

Corps Fantômes

Die in + Le lac + Édouard
Kiss in

A collective documentary play revisiting the forgotten history of Montreal's LGBTQ+ community in the early 1990s, facing AIDS, police violence and hate crimes — and rising up together.

Text : F. É. Bernier, D. Boudreault, M. Carbonneau, S. David, C. Fortin, C. Gouin-Arsenault, J. Lafortune et M. Pineault.

Direction : Maxime Carbonneau.

Production : La Messe Basse + Théâtre Duceppe, octobre 2025.

Photo : Danny Taillon.

Aukkauti

Good and Bad Spirit
The Prayer

A play performed entirely in Inuktitut, based on a true and foundational story passed down orally for generations in Nunavik, about a cycle of tragedy that left a lasting mark on the region's communities.

Musician.s : Akinisie Sivuarapik, Daniel Gadbois.

Text : A. Kalingo, L. Koperqualuk, D. Gadbois.

Mise en scène : Myriam Fugère, Akinisie Sivuarapik et Lisa Koperqualuk.

Production : Aaqsiiq + Snowfest de Puvirnituq, mars 2025, en tournée au Nunavik en 2026.

Photo : Gérald McKenzie.

Tout ça

Tout ça - Prologue
Désolé, je ne peux pas voir ou analyser l'image.

A solo performance tracing an entire woman's life from birth to death through language itself, each word becoming a breath, a memory, an existence.

Text : Alistair McDowall.

Direction : Louis-Karl Tremblay.

Production : Motto + Théâtre du Quat'Sous, novembre 2024.

Photo : Frédérique Ménard-Aubin.

Je t’écris au milieu d’un bel orage

Main Theme +
A las cinco de la tarde

A play inspired by the real correspondence between Albert Camus and actress Maria Casarès, a decades-long love story told through letters.

Musicians : Jean-François Normand (clarinette), Corinne René (vibraphone).

▶ Text : Dany Boudreault, d'après Correspondance (1944-1959) par A. Camus et M. Casarès.

▶ Direction : Maxime Carbonneau.

▶ Production : La Messe Basse + Théâtre du Nouveau Monde, January 2023.

▶ Photo : TNM.

La machine de Turing

The Machine : Ouverture
Enigma + The Lovers

The true story of Alan Turing, the mathematician who cracked the Nazi Enigma code and was later persecuted by his own government for his homosexuality.

▶ Text : Benoit Solès.

▶ Direction : Sébastien David.

▶ Production : Agents Doubles + Théâtre du Rideau Vert, January 2024.

▶ Photo : François Laplante Delagrave.

Le roi danse

Le bourgeois gentilhomme
Moilère's Passing

A theatrical exploration of the life of Jean-Baptiste Lully, composer to Louis XIV, through the lens of dance, power and ambition at the French court.

Musique : Jean-Baptiste Lully.

Musicienn.nes : Susie Napper (viole de gambe), Corinne René (percussions).

▶ Texte : Emmanuelle Jimenez.

▶ Direction : Michel-Maxime Legault.

▶ Production : Théâtre Denise-Pelletier, 2023.

▶ Photo : Dany Taillon.

Peau d’âne

The Theme of Dunkey Skin
Unlikely Ballet

A reimagining of the classic fairy tale in which a princess flees her father's incestuous desire and finds her way to love and freedom.

Musicians : Adèle Levayer (flute), Éveline Grégoire-Rousseau (harp), Corinne René (vibraphone).

▶ Text : Félix-Antoine Boutin et Sophie Cadieux.

▶ Direction : Félix-Antoine Boutin.

▶ Production : Création dans la chambre + Théâtre Denise-Pelletier, Octobere 2024.

▶ Photo : Victor Diaz Lamich.

Coriolanus

Ouverture
Aufidius

A production of Shakespeare's classic tragedy that brings the play into the present through an ambitious audiovisual design combining live performance, film and projection.

▶ Text : William Shakespeare.

▶ Direction : Robert Lepage.

▶ Production : Ex Machina + Stratford Festival, juin 2018.

▶ Photo : Clay Stang.

The Assembly / L’assemblée

The Debate
Finale

A verbatim documentary play exploring political polarization through the real words of four citizens with wildly opposing views.

▶ Text : A. Ivanovici, A. Soutar et B. Watson.

▶ Direction : Chris Abraham.

▶ Production : Porte Parole + Espace GO / repris en Allemagne, aux É-U, en Lituanie entre autres, 2018-25.

▶ Photo : François Laplante Delagrave.

Quills

Madeleine and Satan
The Charenton Asylum

A dark play imagining the final years of the Marquis de Sade imprisoned in an asylum, fighting to keep writing against all censorship.

▶ Text : Doug Wright, traduction de Jean-Pierre Cloutier.

▶ Direction : Robert Lepage et Jean-Pierre Cloutier.

▶ Production : Ex Machina + Trident, janvier 2016.

▶ Photo : Stéphane Bourgeois.

Best Life

The Neighbourhood
L'image est vide ou ne contient aucun contenu visible.

An immersive performance exploring our emotional attachments to domestic machines and the objects that will outlast us on earth.

▶ Text and performance : Maiko Yamamoto.

▶ Production : Theatre Replacement (Vancouver), novembre 2022.

▶ Photo : Chelsey Stuyt.

▷▷ I got my start in sound design for theatre thanks to a love story on the West Coast. Kris had just finished an acting program in Vancouver and I had followed him there in 2005. I found myself surrounded by bright, driven artists who wanted to make a different kind of theatre, often experimental. "Would you be interested in doing some sound design for us?" Not only did I not even know what sound design was exactly, but I said yes without imagining it would one day become a significant part of my work. Thank you, Kris. Thank you, Vancouver.

▷▷ Back in Montreal in 2008, Claude Poissant was the first to follow up on a CD-R demo I had sent to a few directors. Those who know him won't be surprised. I owe him the artistic family I built over the course of some fifty plays for which I composed the music — from the TNM to the Petite-Licorne, from Stratford to the Trident. Thank you, Claude.

▷▷ If theatre is the dimension of my work I love most, it's because it remains one of the rare human experiences of our era that truly demands we be together. Direct human contact. Television once held that power, but it's increasingly rare — especially with local productions getting crushed by the perfectly orchestrated cultural colonization coming from our neighbours to the south. Live music, for its part, doesn't create the same mirror: we don't recognize ourselves in the musician, we admire them (or worship them). In theatre, we're in the presence of people who speak to us and who resemble us — even through the artifice of language and memorized text — immersed in a spoken literature that reveals new truths within us. In theatre, we question ourselves together, and above all, we are never alone. Never. A rare thing in the era of moving-too-fast-to-think and relentless individualism. Theatre music exists only to reinforce that living, human bond — often imperceptibly. A bond we all need.